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Bach: Prelude & Fugue No. 20 in Am |
J.S. Bach |
Piano Solo |
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The 20th Prelude and Fugue from Bach's 48 (The Well-Tempered Clavier) for piano. The prelude is fast, spiky and intricate, suiting scenes of frenetic activity. The fugue is constantly building and increasing in complexity and might suit scenes where a plan is coming together or heist is in progress. |
2 |
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Bach: English Suite No.2 BVW 807 Prelude [excerpt] |
J.S. Bach |
Piano Solo |
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Used to stunning effect in the movie Schindler's List; though changing in dynamic level maintains a relentless intensity, combining aggressive force with emotional anguish. Perfect for comparing the mechanical with the human or to underscore frenetic, purposeful activity - Contemporary or historical. |
3 |
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Bach: Goldberg Variations BVW 988 - Aria |
J.S. Bach |
Piano Solo |
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This beautiful melody, full of emotion and subtlety, opens Bach's Goldberg variations for solo piano - and is based on a song he had written earlier for his wife. Used in the film Hannibal, it combines great expression and depth with a dreamy air of detachment and creates a sophisticated ambience. |
4 |
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Bach: Goldberg Variations BVW 988 - Aria with Chamber Orchestra |
J.S. Bach Arr. Gosnell |
Piano Solo, Chamber Orchestra |
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As above, but we've added a Baroque-style chamber orchestra accompaniment. |
5 |
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Bach Fantasia in C Minor BWV 537 |
J.S. Bach |
Classical Organ |
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If the toccata in Dm is too 'in your face' for your project and you need something that can sit more in the background or under a voice-over, this is the Bach organ piece for you. This is a phantom, mad professor or vampire hatching an evil plan. Perfect for creating a dramatic spooky atmosphere. |
6 |
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Bach Fantasia in G Minor, BWV 542 (abridged) |
J.S. Bach |
Classical Organ |
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Forget the toccata in Dm, the discerning mad professors phantoms and other archetypal gothic characters would choose this Bach organ piece. Carefully edited to keep the intensity high and performed with an appropriately maniacal lack of restraint. Perfect for creating a dramatic spooky atmosphere. |
7 |
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Chopin Nocturne In C# Minor, B.49 (posth). |
Frederik Chopin |
Piano Solo |
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After a soft, plaintive introduction, there is a haunting melody - a more light hearted middle section and a final return to the main theme. Used in the films 'The Pianist', 'The Peacemaker','The Karate Kid (2010) and sampled by Alicia Keys in 'As I Am' - this is the ultimate bitter-sweet piano solo |
8 |
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Chopin Nocturne In C# Minor, B.49 (posth). Arranged |
Frederik Chopin Arr. Gosnell |
Piano Solo, Strings |
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As above, but this time we've added a string accompaniment and edited the track to suit a specific emotional context and scene length. |
9 |
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Schubert Fantasia in Fm Op 103 [Abridged] |
Franz Schubert |
Piano Duet |
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Used to great effect in the films 'Madame Sousatzka' and 'Sunshine', this wistful duet opening is one of his crowning achievements. It is at once both child-like and profound, speaking of a tragic sadness which must be hidden from public gaze. Always elegant and sophisticated, but warm and human. |
10 |
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Boëllmann: Suite Gothique IV Toccata |
Léon Boëllmann |
Classical Organ |
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Looking for archetypal gothic organ? You've found it. Strong rhythmic peice and memorable theme which builds from a creepy start to an awesome finish. Perfect for mad professors, phantoms and probably anything to do with Halloween. |